In Peter Wegner’s exquisite
group of three new paintings and a number of works on paper he uses
paint chips as a point of departure. The work, however, is not simply an
exploration of color. It relates much more to the intellectual rigor of
the study of systems that preoccupied the conceptual artists of the
1960s and ‘70s. Wegner’s studies are articulated both as labor intensive
drawings, in which he looks closely at the subtle relationships between
similar colors, as well as carefully crafted large scale paintings.
Language is an important element in Wegner’s work--the names of the
colors he depicts are carefully chosen. There is nothing arbitrary here.
The paintings appear as hard edged geometry, but they are in fact much
more than that (Griffin Contemporary Exhibitions, Venice).
Peter Wegner, "72 Yellows," oil media
on MDF, 88 x 126 x 1 1/2", 2001.
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